An essay I wrote in 1991, Music and Censorship, will be included in an upcoming Pearson textbook, Music and Culture. Even more surprising is my company, the likes of (beware shameless name dropping) Copland, Paglia, Quindlen, and Bloom. It is some of my better writing: though the argument is weak in sections my style hasn’t been as sharp as when the university had me pumping out an essay a week. Mostly the piece has the distinction of being rare; apparently there aren’t many rigorous looks at music censorship, at least not on the internet where this continues to get a fair amount of page views.