Author: Victor

  • Is this mike on?

    Testing, testing…great, this seems to work. As threatened, I’ve moved my blog from Blogger to Tinderbox. As a first step I’ve simply replicated all the current functionality, so you shouldn’t notice much difference. Links should open in new windows these days.

    Gradually I’ll be using all the goodies of Tinderbox to do fun new stuff here, and will explain the reasoning behind the move. But I need more time.

    I haven’t had the chance to test my layout with all of the usual browsers, if you see something odd please let me know.

  • Usable, Useful, Desirable

    I’ve been thinking that different kinds of artifacts have different ratios of usability, usefulness, and desirability. It’d be nice to express this at the beginning of a project to set everyone’s expectations and syncronize design approaches. But how to express it?

    Perhaps by analogy?

    high desire, moderate usability

    moderately high desire, despite low usabilty

    only moderate desire, but high usability

    low desire, low usability

    Usefulness seems like a contextual and subjective quality, not a quality of the artifact itself. I could imagine owning two very different coffee makers and each would be more useful depending on the situation. A percolator is the best choice when you’re camping.

    Ultimately usability and desirability are relative too. For example, my sister-in-law loves the coffee from her percolator. As usual, it’s important to know who you’re designing for.

    Same idea, in PDF format.

  • Newspaper Delivery Guy

    My first job ever was delivering newspapers (maybe distributing information is a theme in my life?). So I felt a lot of empathy for the delivery guy I noticed out my window this morning. The Sunday New York Times is famous, even among people I know in Europe, for it’s bulk. Its ___ sections and ____ pages cost _____. Spending hours reading it while sipping coffee and eating bagels in a favorite pastime. Anyway, this guy had to double park midway down the block, load up a handtruck full of papers, and roll from building to building carrying a few papers into each building. Not quite the same joy I had riding my bike around the neighborhood tossing papers onto driveways, but his deliveries probably make people quite happy.

  • Tribute In Light

    I thought it might be gimicky, but upon seeing it – for the first time from Columbus Ave at West 87th St. – I thought it was rather beautiful and majestic. I like the idea that it’s temporary, a tribute and not a momument.

  • German Erotica

    “sechs-sechs-sechs, seiben sechs, seiben sechs” says the female voice over for the phone sex service, the German pronounciation of “6” deliberately punning on the English word “sex”. Late night television in Germany is full of these commericals for phone sex, complete with soft core video. Accordingly, they reflect the German standards of obscenity: nudity on TV is fine.

    To an American this is weird, of course, as all manner of churches and parent groups would sooner slit the broadcasters throats than allow soft core on television. So an American might come to the conclusion that pornography, what Americans consider pornography, is alright in Germany.

    So one night my German girlfriend and I are in bed in a hotel room. I’m flipping through the channels trying to find something in English that we’ll both understand. I come across the hotel’s pay porn channel playing a sample, hard core this time, and stop a moment to see what the German porn movies are like. She explodes. “What the hell are you doing? That’s pornography!” Uh, um, uh, I quickly change the channel.

    It took a few minutes for me to explain myself. I’m thinking “Germans are OK with porn on television” and figure that extends across the whole range of the genre. And Germans are thinking, “A little skin on television is fine, but anything beyond that is pornography!” They don’t erase the line, they just move it a little further out.

  • Girls from Brooklyn

    My father once told me about when he was a young man, riding the subway from home in the Bronx to the dances in Manhattan. When he would dance with a young woman he would strike up a conversation and ask where she was from. If she lived not-too-far away – the Bronx, Manhattan, Queens – he’d keep dancing. But if the answer involved Brooklyn or Staten Island he’d excuse himself, go to the men’s room, and then search for another dance partner.

    My mother was from his neighborhood.

  • History of People

    I take for granted the accomplishments of people in the past.

    Sometimes I think we have no new ideas, that all our ideas are variations on what came before. Even the language we use came before.

    But our variations are new, sparked by the electro-chemistry of other’s brains mixing together inside our heads.

  • Murray Hill

    We broke up on a street corner in Murray Hill. I feel horrible, like what recovering from surgery must feel like. From the center of my chest to my tongue is tight and heavy. I want everyone to feel love, but there are so many intentions in the world, and not all of them result in peaceful evenings sitting on the couch watching television.

    Do we ever grow beyond the 2-year old who throws a tantrum to get what he wants? The President starts wars. Corporate takeovers. I run away from a certain but unsettling future.

  • Getting…sleepy…

    My company has pioneered the use of a colorless, vapor form of caffiene that we gently spray into the atmosphere of our office via the ventilation system.

  • Awe

    It replicates so fast I can almost feel it inside me, warming my blood. It adapts so well to the environment, reproducing new strains that live in spite of our best efforts to end it. And when I pause the treatment it reverts back to its original, wild, form. Always killing. More efficient than the shark and the lion and the scorpion. The virus is so awe-inspiring I feel honored to be infected by it.

  • Pride (sin of)

    I fantasize about confronting someone full of hate and who hammers me with every dumb thing America has done in the past 50 years and I grin and then I laugh and I say, ‘I love you, you have no idea


    how much I love you.


    One day you will get tired of hating and you’ll rest and let your defenses down and you’ll feel loved.

  • Temptation


    With a Titanium G4 and a copy of Reason, I’d be unstoppable. But given the state of the Internet industry right now, I might be wise to save my pennies in case I end up jobless soon. Or do I spend money in order to make money? Yeah! That’s it…

  • Mutopia is free, legal sheet music. A longer description from the Scout Project:


    Modeling itself after Project Gutenberg, this volunteer project aims
    to make copyright-free musical scores available to everyone. Although
    copyright on a score expires 70 years after the composer’s death,
    music publishers retain copyright on their typeset editions. Thus,
    the only legal way to copy this music is to write it out or typeset
    it yourself and allow others to make copies. This is precisely what
    contributors to Mutopia have done. All music at the site has been
    typeset using GNU Lilypond and is available for download as .pdf,
    PostScript, or Lilypond .ly files. MIDI files and preview images of
    the scores are also provided. Visitors may browse the collection by a
    number of options, including composer, instrument, style, and last
    updated. Some sections are still somewhat thin, but interested users
    will certainly want to pay the site a visit and monitor its future
    development.

  • User interface designers of audio software seem to be doing the most interesting work around, even more adventerous than on the web. Take for example this emagic ES1 screen shot. It looks confusing at first because it’s unconventional, but (assuming you’re familiar with these functions from prior audio experience) you quickly understand how to operate everything – I can especially imagine grabbing these big blue arrows and adjusting them.


    Knobs still don’t map well to mouse movement though. Interestingly enough in this example they use an arc instead of what is usually adjusted via a knob, to good effect. And somewhat ironically they use knobs for a mutually-exclusive set of discrete options, which could just as easily appear as radio buttons (which they use elsewhere in the interface). I suspect they favored the esthetics and visual balance of the design just a tad too much, but show so many interesting ideas here.


    Steven Johnson’s Long Live Analog is an interesting look at the idea of modeling physical devices in on-screen interfaces for audio software.

  • The New York Times self-reflexively looks at its five years on the Web. Meanwhile, the home page has balloned to 60K of HTML plus at least 14 images, a slug even on my cable modem. They have officially crammed too much garbage on the home page.